Moka Only is one of the members of The Swollen Members, a Vancouver-based hip hop trio. This interview was conducted in the Beaches in Toronto. He's a very cool, genuine person. After the interview, I hitched a ride with Rick Campanelli who drove me to the subway in the MuchMusic van. It was my brush with fame....
Inside a dim Vancouver Bingo hall, a 22-year-old frizzy-haired waiter named Daniel Denton delivers coffees on a tray to weathered seniors hunched over numbered cards and coloured markers. Each time, he walks away without a tip. Every 9-to-5 shift he witnesses the same depressing scene: down-and-out people in a torn-down neighbourhood hoping for their numbers to line up right.
One day, the waiter’s favourite hip hop group The Pharcyde comes to town. He asks for the night off. The boss refuses. However, a few hours later, the waiter is in the audience waiting for The Pharcyde to take the stage. Meanwhile, the Bingo boss is waiting for his waiter to show up for work. But the waiter never appears. Ever again.
“It was the most terrible job I ever had. I hated it. It was 1994. I said no more. It’s just going to be music. I don’t care what I have to do,” recalls Denton. “It was like an awakening.”
That waiter is now known today as Moka Only—one of the most distinguishable names in Canadian hip hop. For five years he has been a key member of Vancouver’s Swollen Members.
Now, as he recalls his past life as a Joe-jobber, Moka sits comfortably on the set for a video shoot for his latest solo album, The Desired Effect. Ladies serve him gummy bears and chocolate on trays. Inside the set, two pretty ladies in underwear and dancing for the camera. Three television reporters are waiting patiently to interview him next.
But the move from being Daniel Denton to Moka Only, now age 32, was a long, hard-fought battle.
After pledging never to work a 9-to-5 job again, Moka Only focused on his music as a writer and producer. Using any studio space he could find, he would record on a 4-track machine and sell his homemade albums for cash on the streets of Vancouver in order eat. He also admits to selling other “unmentionables” to top up his pockets.
“I didn’t want to wait for nobody,” he says. “ ‘cause at that point in time, no major label was looking towards Vancouver, especially for hip hop.”
Without the help of a major label Moka continued to carve out himself a name in Vancouver, booking his own show and tours, and overseeing the production of his constant flow on indie albums. On his records he would sample and record his own beats and play the instruments. To date, he claims he’s recorded over 20.
Moka eventually met fellow Vancouver-based hip hoper Prevail during the mid 1990’s, a future member of the Swollen Members. Together, they shared the stages on the West Coast, including a brief relocation to San Diego, California. But the artistic recognition didn’t mean financial success. At one point, Moka says they called a BFI garbage dumpster “home.”
As he talks, he exposes his two forearms tattooed with the words, “Durable Mammal,” a name he coined for himself during those years living on the street.
Moka Only and Prevail eventually joined forces with another Vancouver lyricist Mad Child. After a now infamous late-night munchie run to a Denny’s, they jokingly agreed to name their posse the “Fat Dicks.” Moka, employing his street savvy, modified the name to Swollen Members. By 1996 they were working in the studio and released their first 12” in 1999 under their own record label named Battle Axe.
Four years later, the Swollen Members released four albums and earned a Juno award for Best Rap Recording. Despite the awards and heavy Canadian rotation, Swollen Members remained underground (or unknown) internationally. By September 2004, Moka Only decided he wanted to return to his solo career.
“With the group it’s good, but no one individual get a focus, and I’m a Scorpio, and I like the focus to be on me I guess,” he says. “I got a lot of stuff that I want to get off my chest that I didn’t get to in the group. Because when you are in a group you all compromise.”
He sees his latest solo project as a “return to form.” That return includes a renewed interest in his hobbies. But indulging in excess chemicals isn’t one of them.
“I used to drink—a lot— smoke weed, and do all the dumb teenager things,” says Moka. “None of that exists anymore. I’m straight edge; I’m just trying to concentrate on my business.”
His “business” includes devoting “as much time as possible” to his other non-musical passion: train spotting. He will go to his favourite bridge outside of Vancouver to watch trains come and go. Moka also boasts a collection of vintage keyboards.
“I’m just a nerd, man, for real,” he says.
As he readies to return to his video shoot, Moka Only says he hopes his new solo efforts will make him money and allow him to tour on his own. Ironically, he is now producing for the former members of the Pharcyde, the group that inspired his break into music 11 years ago.
It seems Moka’s career is part durability, part luck, part Bingo.